Author Archives: Liv Raddatz

Anth B246: The Everyday Life of Language – Field Research in Linguistic Anthropology (Prof. Weidman)

Professor: Amanda Weidman

Course Description: 

Though language permeates every aspect of our lives, most of the time we take it for granted. The goal of this course was to develop an awareness of how language operates in various everyday interactional contexts. The course focused on gaining hands-on experience in doing linguistic anthropological data collection and analysis. Students worked individually and collaboratively, on topics including: language and gender; language and social stereotypes; sociolinguistic variation; codeswitching; and register.

For the Praxis component of the course, the class worked with a city-based high school language arts teacher to design a lesson and project for a high school language arts class that incorporates linguistic-anthropological concepts and student-driven research on language.  The purpose of this was to move beyond the prescriptive approach to language commonly taken at the high school level, toward a more descriptive, ethnographic approach that acknowledges the competence and creativity that all speakers possess.

Class Project: “Youth Language Project”

The class didn’t get to work with the high school students as planned because of restrictions around COVID-19,  but they did prepare a lesson plan and guidelines for a project called the “youth language project,” in which the high school students were to collaboratively choose a current colloquial term or expression and ethnographically document the contexts in which they hear it used.

Please see students’ lesson plan presentation below:

Intro to Ling Anthro & Important Concepts

Please click here to access a PDF version of the lesson plan.

To access the assignment guide for the group project on youth language, please click here.

The Bi-Co students also did this project, which resulted in two fascinating collaborative projects, one on the expression “you’re valid” (by Neal Kelso, Nuria Benitez, Miles Salisbury, Kayla Thompson, and Aradia Jinsi):

ANTH246 Valid Presentation

Please click here to access a PDF version of the presentation.

And another one on the Chinese (Mandarin) expression “xiao shan nu” (by Yupeng Wu, Mia Ng, and Sallina Yang):

ANTH B246 Little Fairy Presentation

Please click here to access a PDF version of the presentation.

Final Ethnographic Student Projects:

In the second half of the semester, students worked on individual ethnographic projects which involved close attention to language use.  Some of these included:

  • Miles Salisbury, BMC ’22 “The Transgender Coming Out Narrative Genre on YouTube”
    • ‘Coming Out Videos’ represent a genre of YouTube that has been steadily growing since the early 2000s. These videos are very popular amongst young LGBTQ viewers for their vulnerability and honest perspective on gay life and the process of coming out. Distinct from the narratives of gay, lesbian, and bisexual people, coming out videos and vlogs made by transgender individuals detail the speaker’s acceptance of their (trans) identity and the process of their social and physical transitions, and conclude direct addresses to their viewers. I transcribed portions of five Coming Out Videos and four ‘Transition Vlogs’ to explore the ways in which the vocabulary, emphasis, perspective, and narrative structures are used by these YouTubers to affirm and/or defy contemporary social norms and expectations of transgender identity.

  • Nuria Benitez HC ’22 “Casual Codeswitching: Language Choice in Philippine President Duterte’s National Speeches”
  • Mia Ng BMC ’22 “Language and Gender: Become a Man and Seize the Power”
  • Neal Kelso, HC ’20 “Constructing Voice and Narrative in a Time of Pandemic”
  • Sallina Yang, BMC ’23 “Codeswitching between Dialects in a Chinese Family”

HIST 268: Telling Bryn Mawr Histories (Prof. Gallup-Diaz)

Professor: Ignacio Gallup-Diaz

Teaching Assistant: Laney Myers, BMC ’20

Course Description: 

This Praxis II Seminar covers historical research practices and methods, in the context of the history of Bryn Mawr College. Together, students will engage with theoretical scholarship about historical production and exclusion. Individually, students will work within the apparatuses of history at the College to frame a final project.

  • What does it mean to tell a history of an institution (of higher learning)?
  • How do archives represent and obscure?

Reflection: 

Bryn Mawr takes its history very seriously! The buildings, the coat of arms, the traditions: all are vested in promoting the image of the College as historic. Of course, the College as a community and as an institution has been changing the way it “tells” those stories. That’s something that has emerged from the projects in our class: the fact that permanent seeming things—traditions, stories about the past—are indeed always changing…and also spaces for debate and reflection about the present.

The Telling Bryn Mawr’s Histories Praxis Seminar sought to engage students in thinking critically about institutional history as a multifaceted and existing in many forms and spaces. In partnership with the wonderful Bryn Mawr Special Collections, individual students planned to frame projects relating to a particular topic, listed below. Students documented progress, and flagged interesting historical issues over at our HIST 268 blog.

The Praxis connection also grounded our work with engaging the community in a meaningful way. In contemplating the glaring absences and under-representation in the archives, we imagined ways to build archives that reflected our experiences, our community, and planned to lead a session at the Community Day of Learning about community-based archiving.

Another issue that emerged over and over again in our class discussions was the feeling that we were re-treading the footsteps of students who had come before us, because we had no way to access research done by students on Bryn Mawr’s institutional history. We met virtually with Eric Pumroy and Allison Mills of Special Collections, and Natalie Shilstut and Alice McGrath of Digital Scholarship, Critical Making, and Digital Collections Management, to discuss options of preserving, archiving, and sharing our own work going forward.

The unexpected turns this semester has taken, the crises layered atop each other, have meant radical transformations in each of our lives as students, professors, and Bryn Mawr historians. All of us have had to painfully re-imagine the scale and focus of our work under these new conditions. Completing final work now is painful, if only for how much it reminds us of what was imagined when the project was conceived. That said, taking this moment as a point to reflect and share our work, I’m so proud of the immense labor, collaboration, and generative ideas that have will be preserved for future generations of Bryn Mawr students, staff, and historians to appreciate.

Class Members & Research Topics:

  • Emma Burns, “Mormons at Bryn Mawr: Homosexuals, Feminists, and So-Called Scholars”
  • Emily Elmore, “Loyalty Oaths and the Impact of 1950s Education Policy on Student Movements in the 1960s” “
  • Talia Horowitz, “”An Exploration of Antisemitic Sentiment at Bryn Mawr, with Particular Focus on M Carey Thomas and Marion Park’s Presidencies”
  • Aaliyah Joseph, “Perry House Oral History Project”
  • Catherine Lin, “The Sojourners: The Chinese Scholarship at Bryn Mawr and the Chinese-American Journey”
  • Maria Mitiuriev, “Mapping Magic: Tracing Pagan and Wiccan Histories at Bryn Mawr College”
  • Eliza Mlodzinski, “A Basic Guide to Hell Week and Its History”
  • Beck Morawski, “Chasing Elsinore: Studying Bryn Mawr’s History of Fantasy Roleplay, Escapism, and Communal Utopian Worldbuilding in the Time of Quarantine”
  • Sydney Munnerlyn, “Quakerism and Secularism at Early Bryn Mawr”
  • Lucy Verweij, “The Bedtime Anthology”
  • Katie Davenport, “Mental Health Affects College Students Concentration, Ability, and Energy Levels”

Featured Student Project: Catherine Lin, “The Sojourners: The Chinese Scholarship at Bryn Mawr and the Chinese-American Journey”

For my archival research project, I researched the Chinese Scholarship at Bryn Mawr, which was founded in 1916 to allow students from China to attend the college. I drew upon Special Collections materials, newspapers, and journal articles to explore the recipients’ lives and learn about the scholarship’s links with mission work in China, as well as American perceptions of Chinese people. I presented my research in the form of a narrative essay, “The Sojourners: the Chinese Scholarship at Bryn Mawr and the Chinese-American Journey,” available here.

Museum Studies Fieldwork Seminar (Prof. Scott)

Course Description:

This course provides students a forum in which to ground, frame and discuss their hands-on work in museums, galleries, archives or collections.  Whether students have arranged an internship at a local institution or in the Bryn Mawr College Collections, this course provides a framework for these endeavors, coupling praxis with theory supported by readings from the discipline of Museum Studies.

The learning goals for the course are:

  • To connect Museum Studies theory and practice
  • To connect internships in museum, archives or galleries to students’ individual interests and career goals
  • To gain knowledge about some of the fundamentals of Museum Studies—including the history of museums, the role of museum in society, current trends in museums, museum ethics and about the variety of museum professions

Promoting Change Thru Service (Prof. Martin)

Course Description:

This semester-long seminar provides students completing fieldwork in human and community service agencies the opportunity to examine policies and practices that are intended to bring about change and foster resilience and well-being among clients receiving services.

The framework for this seminar involves the application of a biopsychosocial-spiritual matrix to the understanding of human behavior. Students use a theory of change approach and develop a corresponding logic model of organization/agency services to articulate their understanding of how their fieldwork contributes to the change process for those receiving services.

Praxis Sustainability Seminar (Prof. Donnay)

Course Description:

Students in the Praxis Sustainability Seminar each had a field placement with a local organization in which they examined a sustainability issue. The seminar met bi-weekly during which time students discussed their field experiences. Students took turns providing readings for the seminar related to the sustainability issues arising in their placements and then leading discussions of the readings during the seminar.

Justine Stiftel, Physics & Visual Studies, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Adviser: Monique Scott

Field Site: University of Pennsylvania Museum of Archaeology and Anthropology

Field Supervisor: Joshua T. Lessard

Fieldwork Description:

At the Penn Museum, I had the opportunity to engage with the museum’s renovations and rebranding. The museum has been working to attract a broader audience than previously, and a major part of this work is becoming more accessible to disabilities. I took surveys of sound levels and ambient light levels in the galleries, to aid the exhibits team in their plans for future galleries. I also worked with Philly Touch Tours to understand the needs of visitors with low vision and worked toward 3D printing artifact replicas for these tours.

Final Presentation:

Stiftel_PraxisPresentation.pdf

Please click here to access a PowerPoint version of the presentation with additional notes.

What is Praxis?

Praxis is an experiential, community-based learning program that integrates theory and practice through student engagement in active, relevant fieldwork that is integrated into academic courses.

There are three types of Praxis courses, which require increasing amounts of fieldwork but do not need to be taken successively.

Praxis I and II

Praxis I and Praxis II courses are offered within a variety of academic departments and are developed by faculty in those departments.

Praxis Independent Study

Praxis Independent Study courses are developed by individual students, in collaboration with faculty and field supervisors.

Students may enroll in more than one Praxis course at a time and are sometimes able to use the same field placement to meet the requirements of both courses.

Praxis Fieldwork Seminars

Praxis Fieldwork Seminars bring students working at independent but related field sites together to meet with a single faculty advisor.

 

For more information about Bryn Mawr College’s Praxis program, please click here.

Sofia Mondragon, History of Art, BMC ’22

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott

Field Site: Philadelphia Film Society

Field Supervisor: Rosie Jacobson

Fieldwork Description:

The Museum Studies Fieldwork Seminar is a Bryn Mawr College PRAXIS class that is made up of an internship at a field site and a lecture class. The field site I worked at was the Philadelphia Film Society and I was an Education and Outreach Intern. At the Philadelphia Film Society (PFS), I worked on two educational projects: The Albert M. Greenfield Student Screening Program and Cinemaniacs. The Greenfield Program is a free field trip program for grades 6-12. There are 6 movies associated with this program. This program includes screenings, pre and post screening activities, and discussions. For this program I started by watching the 6 movies in and taking notes on them. Then I wrote the lesson plans, pre and post screen activities, and questions. The second program I worked on was Cinemaniacs. Cinemaniacs is a pilot-program designed for high schools to enjoy and learn about film after school. For this program I took the lesson plan created by my Field Supervisor and turned that into PowerPoint presentations. I did some research to provide a more holistic view and filled out in-kind donations. I also turned some parts of the lesson plans into worksheets and I made notebooks for the students. The PFS did temporary close due to COVID-19 and I was not able to continue my internship after Spring Break. To fulfill my internship requirement for this class, I created a small zine that says what I did at the PFS.

Final Presentation:

Museum Studies Presentation(1)(1)

Please click here to access a PDF version of the presentation.

Zine:

Creative Silkscreen eBook Cover(2) (1)

Please click here to access a PDF version of the zine.

Sean Keenan, History, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott

Field Site: University of Pennsylvania Museum of Archaeology and Anthropology

Field Supervisor: Katy Blanchard

Fieldwork Description:

I have had an overall excellent experience during my Praxis course. The fieldwork that I’ve done at the Penn Museum has allowed me to get hands on experience within the field. This opportunity has taught me the necessary skills involved in rehousing and photographing a collection. I got the chance to hit upon my learning objectives, which has involved learning to build connections with the team I worked with as well as get a better understanding of museum practices involved in archeological materials. Having these experiences has and getting a chance to reflect on them during the class portion of the course has allowed me to truly appreciate my time there working with Katy and the other interns. I also really enjoyed hearing from my fellow interns and classmates regarding their own experiences and thoughts they had during their placements. Having participated in this experience has expanded my overall knowledge of how expansive the museum world actually is.

Final Presentation:

Sean Keenan_Penn Museum as an Excavating Body Final

Please click here to access a PDF version of the presentation.

Rosemarie Fettig, English & Museum Studies, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott

Field Site: The Barnes Foundation

Field Supervisor: Andrea Çakars

Fieldwork Description:

As a Registration Intern at the Barnes, I participated in the preparation for and installation of the special exhibition “Marie Cuttoli: The Modern Thread from Míro to Man Ray” by keeping the exhibition checklist updated with shipping information for loan objects in the show. I also did a significant amount of records management work, including generating object fact sheets and inventory shelf lists, as well as entering insurance records into the collections database.

Final Presentation:

Fettig - Fieldwork site presentation

Please click here to access a PDF version of the presentation.

Rebecca Kelly-Bowditch, Anthropology & Museum Studies, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott

Field Site: Mutter Museum

Field Supervisor: Lowell Flanders

Fieldwork Description:

For the Museum Studies Fieldwork Seminar, I worked as a collections intern at the Mutter Museum. Under the supervision of collections manager Lowell Flanders, I worked mainly with the Hyrtl Skull Collection. I conducted research on the ancestry of the skulls (which I am using for my thesis), as well as photographing each of the skulls as the museum does not yet have these records. Additionally, I assisted the collections manager, curator, and other staff with everything from organization to exhibit maintenance to additional research.

Final Presentation:

The Mutter Museum

Please click here to access a PDF version of the presentation.

Mort Cavanah, Anthropology, BMC ’22

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott

Field Site: Bryn Mawr College, Special Collections

Field Supervisor: Marianne Weldon

Fieldwork Description:

As part of my Praxis experience, I researched a set of thirteen Peruvian textiles housed in Bryn Mawr Special Collections. I completed various types of physical and archival research with these textiles, including some special photography which I discuss in more detail in my PowerPoint presentation. I then compiled my research and made it available via Bryn Mawr Special Collection’s online collections. This part of my project was especially interesting to me as I was able to see how the back end of an online cataloging system works. I became especially interested in digital cataloging and online accessibility in the process, and I plan to pursue further education in the field.

Final Presentation:

Praxis Field Presentation

Please click here to access a PDF version of the presentation.

Mira Yuan, Classical and Near Eastern Archaeology & Linguistics, BMC ’21

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott

Field Site: University of Pennsylvania Museum of Archaeology and Anthropology

Field Supervisor: Katy Blanchard

Fieldwork Description:

I interned at the Penn Museum in the Near Eastern Collection under Katy Blanchard, along with fellow museum studies students Alex Stern and Sean Keenan. As interns, we were cataloging, photographing, and rehousing material from the site of Beth Shean in Israel.

Some of the material from Beth Shean had been in the collection for nearly 90 years, but still didn’t have a picture on the database. Objects are far more likely to be included in academic research when people can see what they look like before contacting the collections keeper. Although our internship was cut short, we assisted in adding over 1,000 photos to the online collection.

Final Presentation:

Mira Yuan Blog Post Penn Museum Internship

Please click here to access a PDF version of the presentation.

Madi Becker, English, BMC ’21

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Adviser: Monique Scott

Field site: The Rosenbach Museum & Research Library

Field Supervisor: Jobi Zink

Fieldwork Description:

For my Praxis, I worked as the Collections Intern at The Rosenbach Museum & Research Library in downtown Philadelphia. Although the experience was cut short because of the COVID-19 outbreak, it was really valuable while it lasted. As an English major and a Museum Studies minor, my work at the Rosenbach allowed me to combine my two interests in a way that I had not been able to explore previously. Not only did I learn more about museum collections and management, but I also was able to continue expanding my knowledge of literature and experience it through the new context of book/manuscript production. During my time at my field site, I had two main responsibilities: the camera study and the shelf read. For the camera study, I observed the actions of visitors, logging their interactions with the main exhibit in Microsoft Excel for later analysis. For the shelf read, I worked with other members of the Collections Department to ensure that all the works in the museum’s collection were accounted for and in their correct storage location.

Overall, one of the most significant parts of my work was simply existing in the professional, office space of the organization. Although I had worked in a museum previously, prior to this experience I had never been so thoroughly integrated into a professional space. I learned a lot about the practical side of communication, including office dynamics, sending emails, and participating in meetings. In terms of my other learning objectives, I also learned a lot from working in an organization within Philadelphia. Seeing the different demographics of people that visited The Rosenbach, walking through the neighborhood the museum is located in, and participating in discussions about networking in the city gave me a greater understanding of what it is like to work in a metropolitan, public-facing organization.

Final Presentation:

The Rosenbach Museum Research Library

Please click here to access a PDF version of the presentation.

Mackenzie Somers, History of Art, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Adviser: Monique Scott

Field Site: The Kitchen

Field Supervisor: Rayna Holmes

Fieldwork Description:

In my final semester in the Bi-co, the fieldwork seminar enabled me to gain valuable archival and curatorial experience as I transition out of college and into the workforce. I commuted to Manhattan each week to work with The Kitchen, a non-profit art space which supports experimental art, video, music, dance, performance, film, and literature. During my time there, I mined the archives for website content, helped prepare for upcoming events, worked the front desk of an off-site exhibition, conducted an artist interview, and wrote an essay for the blog. Even though we had to adjust when COVID-19 closures sent everyone into social distancing, I feel that I learned a great deal both on and off-site. The sense of community cultivated amongst participants in the fieldwork seminar class helped me to reflect on my experience, to learn about other institutions, and to feel supported amidst the semester’s challenges.

Final Presentation:

Macks Kitchen Prez (1) (4)

Please click here to access a PDF version of the presentation.

Jennifer Tham, History of Art & Museum Studies, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Adviser: Monique Scott

Field Site: Museum of the American Revolution

Field Supervisors: Shannon Stout and Kristian Smith

Fieldwork Description:

The Museum Studies Fieldwork Seminar is intended to help students connect museum studies theory with hands-on experience in a local institution and gain knowledge about the fundamentals of working in a museum. I interned at the Museum of the American Revolution in the Membership and Development departments. I only got to experience the Membership side of the program before my internship ended, but I greatly enjoyed the work and the trust my supervisor put in me. One of my favorite parts about this internship was learning about the Museum’s unique and inspiring mission to create inclusivity and diversity. I loved connecting with museum staff about shared accessibility goals and everyone was very friendly and eager to help me learn more about museum studies.

Final Presentation:

M_AR presentation for blog

Please click here to access a PDF version of the presentation.

Ceara Buzzell, History of Art & Museum Studies, BMC ’20

Museum Studies Fieldwork Seminar (Prof. Scott)

Faculty Advisor: Monique Scott,

Field Site: Bryn Mawr College Special Collections, Art and Artifacts Department

Field Supervisor: Marianne Weldon

Fieldwork Description:

My work in Special Collections was centered on researching and cataloging a group of Peruvian textiles. This involved object research and identification, collections research, updating database information, writing catalogue entries, and imaging the objects. The purpose of this work is in part to maintain the collection, and in part to make it more assessable for students, faculty, and researchers.

Final Presentation and Report:

C Buzzell Special Collections Praxis Presentation

Please click here to access a PDF version of the report.